As an impressionable, young lad growing up in the 80's, I would often sit for hours in front of the television
set, soaking up the knowledge and wisdom that the very best in re-run programming could provide. I'd see
cartoons, soap operas, and sitcoms galore. By far, one of my favorites, was Get Smart which brought a
quirky sense of humor to the exciting world of spys and secret agents. And what really made the television series
so great was its lead actor, Don Adams. His aire of confidence belied his bumbling slapstick very similar
to the Pink Panther's Inspector Cluseau. What Adams offered in addition was a one-of-a-kind voice that just
made you want to laugh, even if he wasn't saying anything particularly funny. It was the same voice used years
later for the Inspector Gadget cartoon series.
Decades later, I have a new favorite comedic actor, who can be seen playing the role of Michael Scott on NBC's
The Office television series. He is, of course, Steve Carrell, the pronunciation of whom's last
name is often butchered and debated (thank goodness that I only have to spell it in this review). My fiancee and
I have seen just about every episode of The Office and can't wait for the next season to begin. Thus, when
I heard that my favorite actor of today was going to bring back one of my favorite shows of the past to the big
screen, a wellspring of hope and anticipation erupted inside of my body (luckily, this did not cause any permanent
damage to my vital organs).
This time around, Maxwell Smart and his top-secret spy agency known as CONTROL, are on the outs. Funding has
dried up and the glory days of old are no more. KAOS, their long-time rival, is operating under the radar and
the need for CONTROL is uncertain. At the start of the film, Maxwell Smart is a mere data analyst, providing all
sorts of obscure information about suspected KAOS agents. However, once the CONTROL facility is infiltrated and
many agents are lost, he finally gets that promotion that he has been lobbying for his whole career. He gets
teamed up with Agent 99 (Anne Hathaway) whose sensuality is masked by her no-nonsense attitude and
go-it-alone determination. Their mission: to uncover the identity of the inside CONTROL agent who compromised
the safety of their headquarter base, and to stop KAOS before they assassinate the President of the United States
along with millions of other people in Los Angeles. In short...they need to save the world and do it before the
closing credits.
Before I rip this movie a new one, let me first offer my gentler side by singing a few of its praises. First of
all, I enjoyed the nostalgia of the many types of security doors through which Maxwell Smart had to pass in order
to enter and exit CONTROL headquarters, of the phone booth elevator, the famous shoe phone, and of the familiar
Get Smart theme music. These were a staple of the television series and helped to bridge the gap of a generation.
I also liked the fact that I was seeing a comedy (there seem to be so few of them nowadays compared to years
ago...boy do I sound old!). There are several funny moments which had me laughing such as when Terrence
Stamp, who portrayed a KAOS leader, sarcastically lamented the expected destruction of Hollywood when he
said, "Where would we be without their laser insight and political advice?"
Unfortunately, however, the security doors, phone booth elevator, shoe phone, theme music, and brief jokes were
not enough to make up for what this movie lacked. And while it lacked several things, it really missed the mark
on two major ingredients. First of all, though I am shocked and saddened to admit it, Steve Carrell is simply not
as funny as Don Adams. Carrell tried to deliver some famous one-liners from the television series, such as
"missed it by that much" but his delivery and tonality were way off the mark, which made me long to see
some of the old television episodes rather than continue watching this poor excuse of a remake. The second major
miss was the chemistry between Smart and Agent 99. In the TV series, Barbara Feldon and Adams were a hot pairing,
always flirting with each other in a very playful sort of way. And it was also a bit reversed; Maxwell Smart was
usually the one who was oblivious to 99's admiration. Agent 99 would marvel at his brilliance, the irony of which
was that his successes were mainly due to dumb luck. In the movie version, Hathaway's 99 is put off by Carrell's
overtures towards her and Maxwell Smart winds up being somewhat depressed throughout the film which, in turn,
depressed me as an audience member (note to self: try not to depress the audience when making a comedy). The
pairing of Hathaway and Carrell (who is old enough to be her father) was an odd one as well, which painfully
reminded me of the pairing of Sean Connery and Catherine Zeta-Jones in Entrapment, especially when Get Smart parodied a scene from
that same movie where the female lead practices navigating her way through a spiderweb of laser sensors by using
red yarn as she waves and presents her voluptuous bottom for all to see (note to reader: I did NOT mind seeing a
2nd version of this).
As I ponder this further, I believe there is probably a 3rd ingredient that is missing. I would have loved to have seen a cameo appearance by Barbara Feldon. Unfortunately, Don Adams and Edward Platt have both passed away.
In the final analysis, my recommendation to you is this, skip seeing the movie version of Get Smart and rent the
old TV series episodes. They are by far much more funny and entertaining.
I would like to officially acknowledge Kimberly Warwick, my beloved fiancee, who laughed while reading this
review.